{"id":35,"date":"2012-12-12T00:56:16","date_gmt":"2012-12-12T00:56:16","guid":{"rendered":"http:\/\/sageelectronics.com\/bovasound\/?page_id=35"},"modified":"2019-09-16T11:25:57","modified_gmt":"2019-09-16T15:25:57","slug":"gear","status":"publish","type":"page","link":"https:\/\/bovasound.com\/index.php\/gear\/","title":{"rendered":"the gear"},"content":{"rendered":"\n\n\n
\n
console<\/strong><\/span>
\n MCI JH-416 24 ch analog console (made in 1973)
\n(modded with sage ELECTRONICS’ discrete Class A RED and BLUE SE-DOT opamps)<\/span><\/div>\n
monitoring<\/strong><\/span><\/div>\n
Camber 3.5 monitors<\/span><\/div>\n
Camber 2.5 monitors<\/span><\/div>\n
Dynaco A25 monitors<\/span>
\n Studer (mini speakers)<\/span>
\n Technics Class A power amp<\/span><\/div>\n
recorders\u00a0<\/strong><\/span><\/div>\n
Ampex MM 1000 2″ 16 track analog\u00a0(c.1968)<\/span>
\n MCI JH-110C 1\/4″ 2 track\u00a0(with Dolby A<\/span>
\n and DBX encoder\/decoders)<\/span><\/div>\n
computers, audio interfaces and software<\/strong><\/span><\/div>\n
RME Fireface 800\u00a0(x2)
\nApple Mac Pro dual quad core\u00a0<\/span>
\n Digital Performer 8<\/span><\/div>\n
Sonoris DDP Creator Pro<\/span>
\noutboard mic pre-amps and d.i.’s<\/strong><\/span>
\nAPI 312 mic pre – 70’s vintage modded by sage ELECTRONICS (x3)
\nAkai M-7 tube mic pre 60’s (x2)
\nElectrodyne\u00a0mic pre 60’s (x2)\u00a0<\/span>
\n RCA BA-26 60’s germanium
\nScully 280 60’s germanium
\nsage ELECTRONICS SE-Pre1 (x16)
\nsage ELECTRONICS MIGHTY G \u00a0D.I. (x4)\u00a0<\/span><\/div>\n
equalizers<\/strong><\/span><\/div>\n
Altec 9061A inductor EQ<\/span>
\n Altec 9063B inductor EQ<\/span>
\n HAECO 2 band EQ (from\u00a0A&M Studios, LA)\u00a0 c.1966) (x2)<\/span>
\n Aphex Aural Exciter Type B
\nElectrodyne 710L EQ (x2)<\/span>
\n Langevin Filters (hi pass and lo pass)<\/span>
\n McCurdy 3 band EQ (x2)<\/span>
\n Scamp Sweep EQ (x2)
\nsage ELECTRONICS 4 band Air EQ (x2)
\nUrei 565T “Little DIpper” filter set<\/span><\/div>\n
compressors \/ gates<\/strong><\/span><\/div>\n
Allison Gain Brain Fet compressor (x2)<\/span>
\n Allison Kepex Gate (x6)
\nCBS Labs Volumax 4000 Peak Limiter (x2)
\nDolby 361 type A\u00a0<\/span>
\n LA-2A tube limiter (custom built clone)<\/span>
\n McCurdy compressor<\/span>
\n McMartin LR-1004 diode compressor<\/span>
\n Q-Comp SC-81 stereo mastering compressor<\/span>
\n Scamp S01 compressor (x2)<\/span>
\n Urei 1176LN Blackface compressor Rev F (x2)<\/span>
\n Valley People Kepex II gate (x6)
\n<\/span><\/div>\n
microphones<\/span>\u00a0<\/strong><\/span><\/div>\n
AKG D72S (5)<\/span><\/div>\n
AKG C 535<\/span>
\n AKG D190E (x2)<\/span>
\n AKG D224E (x2)
\nAKG D130<\/span>
\n Apex 210 ribbon<\/span>
\n Audio Technica 4033<\/span>
\n Crown PZM<\/span>
\n ElectroVoice RE20<\/span><\/div>\n
ElectroVoice 635a (x2)<\/span>
\n ElectroVoice 664<\/span>
\n ElectroVoice 666 (x2)<\/span>
\n Grundig (x2)<\/span>
\n Marshall MXL 2001 (x3) (modded by sage ELECTRONICS)<\/span>
\n Neumann TLM103<\/span>
\n Phillips El3799 stereo<\/span>
\n RCA BK-5B (ribbon)<\/span>
\n Realistic PZM<\/span>
\n Reslo Ribbon<\/span>
\n sage ELECTRONICS bova ball\u00a0(x2)<\/span>
\n Sennheiser 441 (x1)<\/span>
\n Shure PE 585<\/span>
\n Shure SM 53<\/span>
\n Shure SM 57 (transformerless)<\/span>
\n Shure 315 Ribbon<\/span>
\n Shure Unidyne 515sb<\/span>
\n Shure 545D Unidyne III<\/span><\/div>\n<\/td>\n
\n
reverbs and delays<\/strong><\/span>
\n AKG BX-10 (stereo spring reverb)
\nEMT 140 ST (60’s stereo plate reverb)<\/span>
\n Digitech RDS 6500 (vintage digital reverb)<\/span>
\n Korg DRV-1000 (vintage reverb)<\/span>
\n Lexicon MPX 100 (multi fx)\u00a0<\/span>
\n Loft 450 (analog delay \/ flanger)
\nMaestro Echoplex EP-4 (tape echo)<\/span>
\n Sansui RA-500 spring reverb<\/span>
\n Scamp analog delay (x2)<\/span>
\n Yamaha REV100<\/span><\/div>\n
misc.<\/strong>\u00a0effects<\/strong>\u00a0and pedals<\/strong><\/span><\/div>\n
Roland Dimension D
\nKorg Mr. Multi Wah
\nElectro Harmonix Big Muff
\nElectro Harmonix Electric Mistress
\nElectro Harmonix Micro Synth
\nElectro Harmonix Memory Man
\nMaestro Phase Shifter
\nMark Hammer “Bottom Feeder”
\nMark Hammer “Envelope Filter”
\nRoss Phaser
\nRoyal Double Effect Machine
\nVox Tone Bender<\/span><\/div>\n
keyboards and synths<\/span>\u00a0<\/strong><\/div>\n
1920’s Gerhard Heintzman baby grand Arp Odyssey 2800 (original white face model)
\nHammond L-100 organ with Leslie 147R
\nHohner Accordian
\nM-Audio midi controller keyboard\u00a0<\/span>
\n Melodigrand upright piano\u00a0<\/span>
\n Roland EP20 (1970 electronic piano)<\/span>
\n Solina String Ensemble
\nWurlitzer 200a electric piano<\/span><\/div>\n
Yamaha TX81Z (x2)<\/span><\/div>\n
extensive sample collection
\n<\/strong><\/span><\/div>\n
guitars<\/strong><\/span><\/div>\n
Ampeg\/Burns Vista Sonic bass
\nEpiphone FT-350 acoustic guitar
\nFender Telecaster fretless bass (60’s vintage)
\nGalveston 12 string bass<\/span><\/div>\n
Guild Ashbury bass
\nGuild Songbird guitar
\nHarmony Hollywood H39 electric guitar (c.1962)
\nK upright bass
\nLado 4 string bass
\nLado 6 string bass\u00a0<\/span>
\n Pan Violin Bass (60’s)
\nYamaha acoustic guitar
\nsitar<\/span><\/div>\n
amps<\/strong><\/span><\/div>\n
Ampeg BA300<\/span><\/div>\n
Fender Bassman Blackface (60’s)
\nMarshall Super Lead Master<\/span><\/div>\n
Messia Engineering
\nLeslie 147R
\nHarmony H-304A
\nPignose<\/span><\/div>\n
Solec
\nTeisco Del Ray Checkmate 20<\/span><\/div>\n
mastering processors<\/span><\/strong><\/div>\n
sage ELECTRONICS Loud Mouth II \u00a0<\/span><\/div>\n
sage ELECTRONICS FUSEbox (2)\u00a0<\/span><\/div>\n
sage ELECTRONICS Gold Mastering Chain<\/span><\/div>\n
\n

\u00a0<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

console MCI JH-416 24 ch analog console (made in 1973) (modded with sage ELECTRONICS’ discrete Class A RED and BLUE SE-DOT opamps) monitoring Camber 3.5 monitors Camber 2.5 monitors Dynaco A25 monitors Studer (mini speakers) Technics Class A power amp … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-35","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bovasound.com\/index.php\/wp-json\/wp\/v2\/pages\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bovasound.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bovasound.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bovasound.com\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/bovasound.com\/index.php\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":22,"href":"https:\/\/bovasound.com\/index.php\/wp-json\/wp\/v2\/pages\/35\/revisions"}],"predecessor-version":[{"id":774,"href":"https:\/\/bovasound.com\/index.php\/wp-json\/wp\/v2\/pages\/35\/revisions\/774"}],"wp:attachment":[{"href":"https:\/\/bovasound.com\/index.php\/wp-json\/wp\/v2\/media?parent=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}